Archive for the ‘Uncategorized’ Category

Wake Up! Breakfast of Champions

Saturday, February 20th, 2010

Breakfast of Champions

Rise and shine, babies, it’s Saturday – the greatest day of the goddamn week! For some, Saturday means lounging around watching cartoons all morning. For others, this day is all about nursing a hangover from the night before. And for some particularly sad bastards, it means carting the kids around to soccer games or karate practice, praying for a minor traffic accident to liven things up.

But no matter what you plan for Saturday, it should always begin with a nutritious breakfast. I understand that during the week, most people (myself included) don’t have the time to eat a decent morning meal. But on the weekends, there’s really no excuse to not put some good fuel into the `ole gut-tank.

I wish I ate breakfast every day.

Waking up earlier than the surgeon general advises, I took the opportunity to pick up a dozen donuts. Rather than settling for a twelve-pack from Dunkin Donuts, I decided to take the slightly longer trek to Kane’s Donuts – a staple of the Boston area’s North Shore. This joint has an old-time coffee shop vibe, as though you were stopping into a friend’s house unannounced. It’s this type of atmosphere, the forfeiture of shiny counters & paint-by-numbers service in favor of authenticity & genuine personality, which will always keep me coming back to small-time diners and restaurants.

Nana Loves Donuts

Nana Loves Donuts

I’m kicking off my Saturday with donuts in my gut and black coffee in my veins.

How’re you starting yours?

Another Red Band Kick-Ass Trailer; More Vulgarity, More Ultraviolence

Friday, February 19th, 2010

KICK-ASS

I came across this second Kick-Ass Red Band Trailer today over at Slashfilm. It features more of the same as the previous Red Band, which is to say everything they can’t show in the rated ones but they should. Pepsibones and I are looking forward to this movie with a certain voraciousness, though I think his excitement far exceeds mine. Check out the trailer, and marvel at a teenybopper girl saying the word “cock”. It’s fratboy humor, which means I love it, but you may hate it.

Images & Words – Siege #2

Thursday, February 4th, 2010

Siege 2

[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]

The theme for this week’s Images & Words is blood and thunder. This is the phrase that I couldn’t stop thinking of as I read the second issue of Siege, the limited series that sees Norman Osborn and his cronies trying to trash Thor’s crib. Built upon the premise of gods and superheroes duking it out, the expectation is that Siege would be an action-packed fanboy wet dream.

So far, the expectations are being met. And then some.

Picking up where the first issue left off, Siege #2 takes the reader right into the middle of the battle for Asgard. As was to be expected, Ares (yes, the god of bloodlust exists in the Marvel Universe) realizes that Norman Osborn’s been playing him for a damn fool! Jumping ship, Ares has himself a slugfest with the Sentry. And it’s this slugfest that ends up stealing the show.

I don’t want to spoil anything, but I will say this – the fight ends with a fatality. Actually, it’s a two-page dismemberment, with entrails and blood and bodily fluids flying all over the damn place.

Yeah, it really is the artistic team of Coipel/Morales/Martin (pencils/inks/colors) that makes this comic especially worthwhile. Bendis’ scripting isn’t bad (in fact, it’s quite good) but the stunning visuals are what elevate the book. In addition to the aforementioned gorefest, even the more mundane sequences are sexy. Coipel’s pencils give Captain America a youthful sensibility which really shines through during his conversation with Steve Rogers.

Hell, the team even manages to make a snoozer of a meeting (between…well, some of Earth’s mightiest heroes) worthy being framed and hung poster-style.

I’m not going to waste time with one of my exhausting complaints about comics-events – but only because Siege is genuinely enjoyable. I think the series is pushing the Marvel universe in an interesting direction, and is doing so with guns and gods and explosions and all that other good shit. I’m sold.

Remember That Time On LOST When: You Realized Eko Was Fucking Dumb?

Tuesday, January 26th, 2010

MR EKO IS SO KEWL LOL NOT.

[Remember That Time On LOST is a daily post running the entire month up until the season premiere of LOST on February 2nd. I’m going to just pick something awesome, noteworthy, or ludicrous about LOST when I wake up that morning, and hopefully get you geeks talking about it with me.]

Yeah, I said it. Mr. Eko was fucking dumb. I ain’t got no love for the guy. Every day, I try and think of something to write, and everyday Pepsibones goes “Write about Mr. Eko! Write about Mr. Eko!” Well, let me tell you something. Fuck Mr. Eko.

Fuck.

Mr.

Eko.

The entire tail section of the plane is pretty fucking boring and forgettable. And even if they were all fired from the show for fornicating with barnyard animals and drinking while driving and the whatnot, I’m glad they’re gone. As my friend Crackbaby used to say, “Good riddance to bad rubbish.”

Why does Mr. Eko suck so much? Well, for starters, the dude’s character is a smorgsborg of other tropes that are already working throughout the show. He comes off uninspired to me, and all of his themes were already being done better through other characters. It’s as if the writers realized during some brainstorming session, holy shit, we already have all of this guy’s storylines covered! What the fuck is this guy doing on the Island? Yeah, he’s got a huge stick or something! But I mean, come on!

It was only in death that Mr. Eko served any sort of awesomeness, because his unrepentant ass let us see the Smoke Monster gobble someone up. Or whatever the hell it did to him.

You owe me a church, dick!

Derivative #1 – Man of Faith

So get this, there’s a guy on his Island who isn’t proud of his past. And he’s also a man of faith. Yeah, doesn’t that pretty much sum up everyone on the fucking Island? And while Mr. Eko turns towards blind silly faith towards building a church, he has the same sort of blind passion towards the immaterial that really just makes me say “He’s like Locke except different and not cool.”

Eko’s righteous derivativeness is compounded when he replaces Locke as the guy who sits all day and slaps numbers onto a keyboard down in the Hatch. So while Locke has better things to do like channel the Island and kill himself so deities can betray one another, Eko picks up where he left off.

Oh shit, look who entered the Island Royal Rumble!

And I mean, how many faith versus faith storylines do we need going on here? Jack versus Locke, faith versus science. And then Eko comes flying into the ring like Mick Foley with a steel chair of blind faith and then Locke and him throw down? Science versus faith versus faith versus Cactus Jack!

Yeah, it’s no wonder that they killed this guy off.

It’s like he’s getting from the garbage pail of other characters.

Yawn

Derivative #2 – Foreign Guy With Military / Mercenary Past

Oh wait! Stop me if you’ve heard this one! There’s this foreign guy, and he used to kill people as part of a questionable company. Wait, you’re thinking of Sayid, right! Wrong! It’s fucking Mr. Eko, who used to be a warlord. Sorry guys, this doesn’t impress me. You already played out the Foreign Guy Who Shot People card for me when you introduced Sayid as a member of the Iraqi army. And now we have this other guy running around, and you’re like, oh hey, he used to shoot people!

And push drugs or indoctrinate kids into child militaries.

You a dead man

Derivative #3 – Dumb Ass Who Gets Eaten by Smokey

This is my favorite role that Eko performs. After running around as a Man of Faith like Locke, and after being a member of a foreign military organization like Sayid, he gets to be another dumb ass that gets owned by Smokey. And to be fair, Eko even had his chance to save his own life. But instead of dealing with the fact that he was a drug-pushing piece of shit that got his brother killed, Eko then gets munched upon by Smokey. Listen dude, you’re going to be judged by the Island, and like all the other douchebags who refuse to face their sins, you failed the test.

Au revoir!

Checkmate

Derivative #4 – Specter of Dead Oceanic 815 Member Who Visits Hurley

Even in death, Eko’s unoriginal, boring ass is derivative as fuck. Like Ana Lucia and Charlie, Hurley sees Mr. Eko. And apparently they place chess. I don’t know why they didn’t play wiffle ball with an ethereal form of his dumb Jesus Stick, but whatever. The dude sucks, why would they do anything cool.

Mr. Eko was a dumb thug who carried around a Jesus Stick, got eaten by the Smoke Monster, and got little kids and his brother killed. I don’t miss him one god damn bit, and if you do, I’m hoping this Ode to his Craptastic Character has sated your desire to see him memorialized in internet file.

Remember That Time On LOST When: Charlie Was Totally a Junkie?

Monday, January 25th, 2010
You look GREAT, dude
[Remember That Time On LOST is a daily post running the entire month up until the season premiere of LOST on February 2nd. I’m going to just pick something awesome, noteworthy, or ludicrous about LOST when I wake up that morning, and hopefully get you geeks talking about it with me.]

You the only thing that’s cooler than accompanying the Fellowship to the fires of Mount Doom to destroy the One Ring? Being a junkie. Wait, that sounded way cooler in my head. In the early days of LOST before madness, they could afford to spend episodes talking about junkie hobbits that desperately needed to get their latest hit of heroin. They were simpler days. And I’m sure I miss them for about fourteen seconds before I remember how much I want to bang Daniel Faraday, and spin crazy wheels of time.

The Ole Gee-tar

Charlie’s initial storyline where he totally went head to head with his drug addiction is something I would interpret as one of those obvious stranded-on-an-island tropes. You have the pregnant lady, the fat guy, and the druggie. It seems a bit paint by numbers, but I found it interesting nonetheless. The writers wanted to have a character wrestle with an addiction that was going to have to come to an end, because he was stuck on an Island in the middle of nowhere. And while I don’t even know what heroin is, or how you make it, I assume that it isn’t made on forbidden Islands.

I could be completely wrong.

It’s such an obvious storyline, but it was appealing back at the beginning of the show. At some point, the show was very interested in examining the effects of being stranded on an Island through a variety of archetypes. And the druggie who is being plunged into recovery through sheer lack of choice was something I found engaging. It was the spiral into the desperation that was great; to see the mind of an addict swirling with anxiety at the incessant need.

As a caffeine addict, I can tell you that if I crash landed on an Island, and there were no twelve packs of something caffeinated around, I would begin to lose my fucking mind. I would be hacking down trees as I ran through the dense vegetation searching for a hatch, Dharma cave or something. Watching LOST has me convinced that should I ever find myself plummeting to my death on an airplane, I’m probably just being summoned by Jacob anyways, and it’s all good.

Decision Time

Charlie’s a respectable, if not implausible character to me, because he gives up the heroin on his own. Locke, who not only has super hunting skills, also appears to have a sonar for crashed planes herding massive amounts of heroin. And when Charlie asks him a third time to hook him up with the smack or whatever, Locke obliges. At that moment, Charlie the junkie hobbit is at a crossroads, and somehow manages to convince himself to toss the heroin into the flames.

Are you kidding me?

If I ever was given the choice between throwing a can of delicious Diet Mountain Dew into the flames, or drinking it, I’d be burping Dewy goodness before you even had time to deliberate over whether I was going to take it or not. The fact that Meriadoc wasn’t pushing through the flames for one last hit is pretty damn impressive.

But again, it’s like, fiction and stuff.

God is a Drug

What is particularly impressive is that the hobbit passes this crucible twice. When Charlie comes across the Jesus Heroin towards the end of Season Two, he once again flings that shit into the seas and out of his yearning veins and gums. It’s pretty impressive, especially for a character on this show.

Most of the assholes on LOST are perpetually perpetuating their own misery. They continue to flail and bring the shitstorm that is their lives onto themselves. But Charlie, the heroin addicted hobbit, somehow defeats the urge to rock out junkie style twice. It’s a remarkable feat, and the fact that he dies anyways makes me wonder what is being said.

I always operate under the idea, perhaps incorrectly, that the Island punishes those who fail to correct their ways. But if a character like Charlie can surmount something like this, and he dies anyways, the question becomes, why?

Perhaps Charlie’s death isn’t a punishment, but rather he casts himself in sacrifice. We know that he died after Desmond told him that he saw him dying over and over. So there is a sense that he had finally accepted his fate. But maybe Charlie is a token that shows that while death is a certainty, how you carry yourself up until and at your death, may define how you are as a person.

I mean, the guy was going to die. But he was never had to sacrifice himself. Sure, maybe it seems easier because he knew he was going to be sneezing worms sooner or later, but aren’t we all? Let me tell you what, Imma be sitting on my futon playing video games until my heart stops, ain’t no nobility in me. So a character that is willing to lose their live in an effort to save his peeps? Sort of commendable. For a junkie hobbit.

Remember That Time On LOST When: You Wondered What Lies In The Shadow of the Statue?

Wednesday, January 20th, 2010

What the fuck is going on?

[Remember That Time On LOST is a daily post running the entire month up until the season premiere of LOST on February 2nd. I’m going to just pick something awesome, noteworthy, or ludicrous about LOST when I wake up that morning, and hopefully get you geeks talking about it with me.]

LOST is a perpetually unfolding storyline, filled with constantly shifting lanes of purpose and never-ending chasms of mystery. Yeah, suck on that fucking epic sentence! Oh my god! There are certain moments when the entire show tilts on its axis, veering towards something you never fucking saw coming. And you have to give it up to the writers for continuously having the forceful and ripened genitalia to introduce these paradigm shifts into the show even deep into its run. And don’t pretend you didn’t shit your pants the first time you heard the phrase,

What lies in the shadow of the statue?

The first time you hear it, the dude we know know as Bram, but who for months I could only remember as The Chubby Guy Who Asked That Question, has shoved Miles into his van. Have you ever wanted to get shoved into a van by a bunch of cloak-and-dagger motherfuckers? I have. If you get shoved into a moving van while guys scream shit like “C’MON, C’MON GO-GO-GO!”, you’re probably a bad ass.

So Miles does what anyone would do in that case, he’s really fucking confused, and has no idea what they’re talking about. Chubby Guy turns down Miles’ request for mad money-money, and tells him he’s playing for the wrong team. They then kick Miles out and speed off. Because that’s the second part of getting thrown into a speeding van, you’re then shoved out and left to wonder what the fuck is going on.

TAWERET

And once again, I’m like, what the fuck is going on with this show! All of a sudden there are clandestine teams and shit? Who is the Chubby Guy rolling with? And what the fuck is laying in the shadow of the statue? I mean, the statue itself was pretty obvious. It was Taweret, that enormous fucking thing formerly known as The Four Toed Statue after it was reduced to rubble.

But Jesus Christ, once the question is asked, the show tumbles further down the rabbit hole. Or perhaps closer to its true premise, of which I still have no god damn idea. What lies in the shadow of the statue, and what team does Bram consider himself to be working for? There’s countless factions in the show, be it Jacob versus Facob, Locke versus Ben, Locke versus Jack, Charlie versus Heroin, Ben versus Widmore.

If Miles was working for Widmore, and Widmore is against Ben, does that mean that Bram is allied with Ben? Or does it go beyond that, and it deals with Jacob and Facob, and it has been Facob pulling both Widmore and Ben’s strings? I think I’m going to vomit confusion onto the ground and then dance in it.

Just how far does this rabbit hole plummet? Anyone?

YOU KNOW YOUR LATIN, KID

My guess? Bram and Ilana and their b-boy posse are rolling with Jacob. Consider this. Ilana recognizes Jacob when he comes to visit her when she’s all blown up and shit. Jacob straight chills in the foot of the statue. And Richard Alpert, who has forever been known as Jacob’s right-hand man is the only man to answer Ilana’s question correctly.

What lies in the shadow of the statue?

Ille qui nos omnes servabit.

Lostpedia provides “He who will protect/save us all” as the translation, but also goes on to elaborate:

Via Lostpedia:

More accurate translations might be either, “That man who will save us all,” or, “That which will save us all,” if the noun in question is of the masculine gender. The Latin word ille does not necessarily refer to a person.

Man in Black, Man in White

Alright, so I suppose it’s safe to assume that it is in reference to Jacob. But do you think that answers anything? Of course not. What is Jacob going to save them from? Or who is Jacob going to save them from? And are Jacob’s intentions truly pure, or are they merely aligned with him and buy into his propaganda. Who the fuck knows!

But once the whole “What lies in the shadow of the statue” bullshit is introduced, the game got a lot more complex. We’ve gone from a plane crash to two warring deities? Holy good god this is like Spanish Fly for nerds. Just thinking about it makes me gooey in all the wrong (right) areas.

Remember That Time On LOST When: Sawyer Got Shit-Hammered With Jack’s Dad?

Sunday, January 17th, 2010

Burying Memories In Malt and Wheat

[Remember That Time On LOST is a daily post running the entire month up until the season premiere of LOST on February 2nd. I’m going to just pick something awesome, noteworthy, or ludicrous about LOST when I wake up that morning, and hopefully get you geeks talking about it with me.]

Sometimes there are just random cool things on LOST that don’t bare any hyper-analysis. Or so you think. Take for example the case of Sawyer getting shit-faced in a bar with Jack’s Dad, Christian. At first blush, it doesn’t seem like anything more than a cool coincidence. But if you talk to people like my insane, brilliant, socially-disruptive brother Pepsibones, their chance connection is one of the focal points of the show.

Sawyer and Christian are just straight-chillin’ in a bar in Australia. Christian would later go on to be impersonated by the Smoke Monster, or at least walk around as a corpse, depending on your perspective. Sawyer ends up being a lover, a helicopter-diver, the head of Dharma security and more. But for that moment, they are none the wiser of their fates.

The two of them talk about a variety of things, from the Red Sox never winning the World Series, to Jack. And little did either of them know that they were going to be on Oceanic 815 together, one of them a corpse, the other one a sexy brooding dude bent on killing the man who wronged his family. It’s an enormous confluence of coincidences. Christian is there in Sydney, because his daughter is Claire, who will also be on the plane. Sawyer talks about Jack, and will end up being both his friend and adversary on the Island.

What are the chances?

GANKING BABIES

Pepsibones believes that one of the themes running through LOST is the concept of interconnectedness. The theory that everything is interwoven, and it is the links between all that is connected that makes it interesting. I could be wrong. I think I was halfway to the bathroom and hopped up on six Diet Mountain Dews when I had the conversation with him. I’m sure he was blasting some sort of music and trying to concentrate on grading papers.

Christian and Sawyer drinking in some bar in Sydney is perhaps chance, but it also ties into the tendrils that jump from one character’s fate to another’s throughout the entire show. Everyone is connected through some means, it seems. Sawyer talks to Jack’s dad, but he is also hunting down Locke’s father. Boone is related to Shannon, but he also walks by Sawyer in jail in Australia. Sayid fought in the Iraq war, and so did Kate’s step-father. Kate is friends with one of Sawyer’s would-be cons whose child he also fathered.

It goes on and on and on.

Remember that time on LOST when Sawyer had a drink with Christian Shephard?

I WILL PEW PEW YOU

In a show whose meaning really hasn’t made itself apparent, it is by sifting through the strands that connect the characters that you can create your own meaning from it. Christian and Sawyer share a drink, Jack and Desmond bump into one another, and Desmond just happens to be the Guy Unstuck In Time, perhaps the answer to everything, the savior of all.

What is LOST all about? It seems up to us, following the strands from one storyline to the next.

Remember That Time On LOST When: The US Army Had a Hydrogen Bomb On the Island?

Saturday, January 16th, 2010

NUCLEAR DEATH

[Remember That Time On LOST is a daily post running the entire month up until the season premiere of LOST on February 2nd. I’m going to just pick something awesome, noteworthy, or ludicrous about LOST when I wake up that morning, and hopefully get you geeks talking about it with me.]

Just when you thought that the Island couldn’t get any more dangerous, it turns out that there was a god damn hydrogen bomb on it. Don’t worry though, it’s called Jughead, which makes it really cool and non-intimidating. The whole “there’s a fucking hydrogen bomb on the Island” storyline is interesting for two reasons. First off, there’s a hydrogen bomb on the Island. And secondly, the US Army has somehow found the Island.

Maybe I’m wrong, but I always thought that the Island was pretty hard to find. It bends time and space around it, and you need an absolutely gorgeous physicist or his mother to find it. And yet, here was ole’ Uncle Sam and the Empire rolling up onto the Island ready to test a nuclear device. Seems about right, right? They find an absolutely luscious Island filled with splendor and merriment, and they want to detonate a nuclear bomb on it. Wipe it all out in the name of the Cold War!

It seems too convenient that the US Army just stumbled upon an ancient Island filled with Smoke Monsters and Ancient Statues of Gods Whose Names I Always Forget. I mean, it’s LOST, everything has to have some significance, right? Or is the US Army only significant because of what would happen later? So it raises the question, who in the US government knew about this Island? If anyone? Or did they just come across it, an unplotted Island, and decide it was the perfect place to detonate a bomb?

Maybe the US government, fresh off of losing Steve Rogers to the seas, and scared of the imminent threat of nuclear war of Godzilla, was hoping to create their own super-animal-thing by irradiating one of the wild life on the Island. Who are you going to take in a fight, an enormous lizard, or an enormous polar bear? Or boar for that matter. Everyone thinks that Godzilla is bad-ass, but I think the dude hasn’t thrown down with the rest foes. A moth? And get the fuck out of here with Robo-Godzilla. The guy had like four points of articulation, that’s no way to build a death device.

The Sexiest Dude Ever, and Nuclear Obliteration

And then there’s the actual presence of the nuclear bomb. Depending on what geek you’re arguing with, Jughead is either the means via Jack for the group to reset reality and prevent Oceanic 815 from ever crashing, or it is the culprit behind the Incident that brought them down in the first place. I prefer the latter, since it fits in with them being the source behind their own misery, but I think Jack will end up being correct.

Either way, the hydrogen bomb is important as fuck to the overall arch of the story, and it is pretty bad ass. People forget amidst the Dueling Deities, and Ben and Widemore being totally at each other’s throats, that it was the US Army, with the dumb hydrogen bomb, that probably caused the mess in the first place. At least of Jack, and Kate, And the Iraqi Guy With Shitty Hair. All in the name of Super-Cow, so they could rumble with Godzilla.

Next Week, 24 Brings Jack Bauer Shooting People and Starbuck Pursing Lips

Sunday, January 10th, 2010

The Man of Steel

24 kicks off again a week from today. And unlike LOST, which I enjoy because it is bizarre, thought provoking, and mind-bending, I enjoy 24 because it is predictable slop. There was a point where I gave a fuck about 24, and took it seriously. Probably for two more seasons than it deserved. But now I tune in just to see Jack Bauer say shit in a gruff voice, have people beg him to save the day, and then watch him begrudgingly come back and kill four-thousand people.

The last couple of seasons I’ve gave up midway, since they seem to rocket their load off our faces like eight episode in. Question: How do you top an invasion of the White House? You can’t. Why they’d have that happen in the middle of a season is beyond me. Or a nuclear detonation. So I get bored, and then I give up on it, and then enough time passes where I forget how bored I was with the show, and I tune in again. And here I am again.

Starbuck, I <3 You

I have a special incentive this season. Katee Sackhoff, who played Starbuck on BSG is totally joining the CTU gang. It is a cheap ploy, guaranteed to get people like me watching. I mean look at the promo pic; they’re so very Kara Thrace. Pursed lips? Check. Viper Pilot-esque clothing? Check. If I see Starbuck and The Guy from Lost Boys mowing down a bunch of people at the same time, I’m going to rupture the Earth with my fangirl scream.

Images & Words – Detective Comics #860

Thursday, December 24th, 2009

Detective-860

For the past month or so, Caffeine Powered has been presenting Variant Covers, a weekly feature that previews some of the more notable comic releases of the upcoming Wednesday. Starting this week, I am going to begin offering Images & Words, a complementary post that essentially tells you about my favorite comic of the week.

So to clarify:

Variant Covers – Caffeine Powered tells you which comics to look for.

Images & Words – Pepsibones rants about his favorite release of the week.

Get ready for some magic! (”Illusions, Michael, illusions…”)

Just as Caffeine Powered told you on Tuesday, some big titles have dropped this week. Jonathan Hickman continues his excellent run on Fantastic Four by starting a new arc that centers on Franklin Richards; Geoff Johns and Ed Benes remind us that Hal Jordan and Kyle Rayner aren’t the only worthy ring-bearers of the DCU in  Green Lantern #49; and one-shot Captain America – Who Will Wield the Shield is less of a cash-grab and more of a genuine exploration of the new relationship between Steve Rogers and James Buchanan.

While I don’t feel as though I’ve wasted any cash this week (which is a rare thing in the life of a comic nerd), one collection of images and words stands a step all of the aforementioned titles: Detective Comics #860.

For those of you who haven’t been keeping up, Detective Comics has been helmed by Batwoman since Bruce Wayne bit the dust. Long story short – Batwoman is Kate Kane, a Jewish lesbian with special ops training, a father with connections in the military, and an insanely rich stepmother who ostensibly funds the vigilantism without even knowing it. Yeah, I know that the description makes the character simultaneously seem like a bit of a stretch as well as a disingenuous attempt to insert diversity into comic books. To be honest I don’t have any investment in the idea or concept of Batwoman, but the collaboration between Greg Rucka and J.H. Williams III has kept me coming back for more.

Story wise, Greg Rucka has been using Detective Comics to present the compelling mysteries and tales of crime for which he has come to be known. This latest issue, the third part of an arc titled Go, features flashbacks in which the reader sees Kate Kane trying to cut her teeth in the crime-fighting biz. In the process, Kate has to deal with ex-girlfriend/DCU fan-favorite Renee Montoya and eventually come to accept the assistance of her father. The narrative then takes us to present day, in which Kate is trying to deal with the fact that her long-lost twin may actually be a villain named Alice.

Again, as I type this shit out, I realize how terrible and played-out it seems. Maybe it is. But even if you find nothing worthwhile about the story itself, you’d have to be a fool to not recognize the beauty that is J.H. Williams III’s paneled page.

At the very least, any comics reader should respect the way in which Williams structures his panels. On some pages, such as during flashbacks, Williams sticks to the familiar, rectangular panel layouts we’ve all come to know and love. However, the artist really shines when he takes a path less traveled; for example, the panels often compose smaller segments of a Bat-symbol that spreads across the entire page. Something so simple as putting the story within subdivisions of a larger visual whole really pays off.

Also, it’s worth mentioning that Dave Stewart is the colorist for Detective Comics. He’s the man – if you ever get the chance, check out his phenomenal work on Darwyn Cooke’s The New Frontier.

Detective Comics #860 isn’t a classic single issue and a year from now I’ll probably be completely incapable of telling you what it’s about. But as far this week is concerned, it is an exemplary combination of images and words, visual narrative and solid storytelling. If you cash in your Slurpee cup filled with spare change and it totals four bucks, go splurge on Detective Comics.

Batwoman in Training