Skyfall. Lost beneath my quaking dick-lust for Django, The Master, Hobbit, Dark Knight, Avengers, Looper, Spider-Man,  and on, and on, and on. I like what I’m seeing though. Namely hot people and violence. Freud, take a bow.

Hit the jump for some new pictures.

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Oh shit! Here’s a gorgeous Spanish poster for Django Unchained, plus news of Boyd Crowder joining the cast.

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Want to see Anne Hathaway completely clad-up in latex and bang-me-boots? Of course you do! I also think she’s supposed to be some sort of superhero or something. Pussy Gal. I think.

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Not only is Anchorman 2  happening, but we’re beginning to hear some news about the cash-in. Shit, did I just call it an obvious cash-in for Ferrell now that he can’t seem to churn out a hit? Goddamn right I did!

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[Caff Note: With CiTW  dropping this weekend, there’s bound to be spoilers discussion in the comments. I warned you, fools!]

You don’t need to be a fan of Joss Whedon – or, a Whedonite as his diehards are terribly named – to know that his output is wildly smart. The man knows how to play with genre tropes without rubbing how clever he is in our face. Nevertheless, after hearing repeatedly about how innovative The Cabin in the Woods is, I was afraid that it was going to be overly self-conscious like the Scream series and be a massive wink and nudge at how clever Whedon and director Drew Goddard are. Thankfully that’s not the case and Cabin manages to be immensely entertaining without any third act twists. From the first frame Whedon and Goddard slowly feed us information so by the end, you don’t feel duped by a left field twist.

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The kerfuffle surrounding Captain America 2: Cap Doesn’t Get Cellphones At All‘s potential director is becoming a bit more clear. The field, once vast and filled with hopefuls and talented lads and lasses, has been cut down to two parties.

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Call me crazy, but I subscribe to the notion that, since its beginning, the universe has been ever-spreading and everything within its massive expansion has gone along for the ride. Following suit, every initial notion with storytelling potential tends to enlarge exponentially, growing with time and purpose into stories and, if the commercial and/or artistic drive remains resolute, these stories multiply into sequels and beyond. This especially holds true for the interstellar saga from a long time ago in a galaxy far, far away. After its explosive entrance into the public sphere in ‘77, the Star Wars universe took three years to develop from A New Hope into The Empire Strikes Back, wherein its archetypal characters became more complex and their dilemmas darkened as SW’s expansion followed its primary course into the emptiness of space. But then something changed: George Lucas, supreme author, came down and let there be lightness where the darkness once dominated. And this certifiable change is evident in the trilogy’s finale, Return of the Jedi.

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Dark Lords and Masters, what have we done to offend you so? It wasn’t bad enough that the Teenage Mutant Ninja Turtles are going to be Turtle Lookin’ Motherfuckers and nothing more in their reboot? Now we have Kid Cudi rolling up (ha!) into the franchise?

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There’s a new Avengers  clip featuring Nick Fury and Maria Hill gabbing about what out of context is essentially nothing. I’m pretty excited to see Maria Hill on the big screen, as she is a character that I’ve come to close in the Marvel U the last couple of years. Here’s hoping she gets to shoot a motherfucker or two on top of this bickering.

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Pump those breaks! Despite news last week breaking that Gary Ross was taking his ball and going home when it came to the Hunger Games  sequel, there’s still a chance we’ll get his shaky cam nonsense in Catching Fire.

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