#Comic Books

Frank Miller is Going to Fix You

For years, rumors and whispers have abounded that Frank Miller would return to Batman by having him fight Al Qaeda. The project, titled Holy Terror, Batman!, has been plagued by criticism and alleged concerns of DC’s higher-ups (I guess I could see how depicting a superhero as fighting a real-life terror network could be seen as an obscene act of trivialization).

Well, according to the LA Times, Frank Miller is still going ahead with the project; just without the caped crusader. In place of Bruce Wayne, a new hero called The Fixer will battle Al Qaeda. Miller explains:

“I pushed Batman as far as he can go and after a while he stops being Batman. My guy carries a couple of guns and is up against an existential threat. He’s not just up against a goofy villain. Ignoring an enemy that’s committed to our annihilation is kind of silly, It just seems that chasing the Riddler around seems silly compared to  what’s going on out there. I’ve taken Batman as far as he can go.”

“It began as my reaction to 9/11 and it was an extremely angry piece of work and as the years have passed by I’ve done movies and I’ve done other things and time has provided some good distance, so it becomes more of a cohesive story as it progresses. The Fixer has also become his own character in a way I’ve really enjoyed. No one will read this and think, ‘Where’s Batman?‘”

I see all of the potential problems that will arise from the release of this project (which, by the way, DC is not going to be involved in). With that being said, I can’t help but get excited about new Frank Miller work – he’s a goddamn comics legend and anything he releases is at least worth considering.

A page from Holy Terror!

Images & Words – Revolver

[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]

Life can be humdrum. Boring to tears. Drab. For most of us, daily living is comprised of compromises and lackluster recesses of escapism. Existence can often seem like a set of meaningless tasks, more of a bogus journey than any sort of excellent adventure.

Is buying a couch really that enthralling?

Just the other day, a friend of mine was talking to me about the mind-numbing and uninspiring nature of modern life. Then, with earnestness, he started to describe just how great it would be to live during the End Times. He seemed keen on a zombie apocalypse, but would settle for any sort of societal collapse. Liberation is to be found in survivalism, he told me.

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DC And Converse Team Up For Dope Comic Sneakers I Can’t Wear

Source: Comics Alliance

My love for awesome nerdy shoes that I can’t wear because of my mammoth feet is well documented. First there were Bioshock kicks. Then Iron Man sneakers. And now these DC-themed Converse efforts in sexiness that will never fit my enormo-toes.

Hit the jump for the rest of the gorgeous line of shoes.

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The Father of Battling Boy!

Source: Pulphope

Variant Covers: Brucey Wayne & A Six-Shooter

Variant Covers, is at its core, a weekly comic book column. Most weeks are like this one, a round-up of the comic books that I am planning to acquire through galactic credits tomorrow at the local Pictures And Words dealer. Other weeks, the status quo is subsumed by a desire to pontificate on a particular topic. Like Peter Parker and his amazing Non-Progress Adventure. All columns are sponsored by a permanent state of juvenility, and made-up words.

Shall we?

Batman: The Return of Bruce Wayne #4
This is my column, and while I maintain a sense of duty in pleasing others and keeping it fresh, I’m going to go ahead and recommend the latest issue of Bruce Wayne and his righteous riding of the Time Waves. I know that I’ve popped off on this mini-series previously, but I’m sorry.

It’s one of my favorite things dropping every month, and I’ll be god damned if I ain’t excited to read it tomorrow. The latest issue finds Sir Wayne of Forevermore riding the time stream into the wild, wild west. Or is it the wild, wild east? After all, it seems that every time that the Island jumps for him, he ends up in Gotham during Period To Be Determined.

I may be reading it completely incorrectly, there’s always the chance of that.

The series is centered around the essence of Bruce Wayne, and how those essential tropes can carry through the millennium. They’re applicable everywhere. The concepts of symbols as power, great sleuthing, and an undying regret towards being unable to save a loved one (in this case it seems ‘ole Anne Elliot) can work while existing in the realm of Cave Dudes just as well as it came amidst the Red Dead Redemption set.

This shit rocks me like a rock star rocks things.

Spin on that, ya’ll.

—-

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Matt Fraction – The Batman Dreams of Hieronymus Machines

Matt Fraction at w00tstock, ruminating upon the various meanings of comic books. He goes through his childhood experiences with comics, why comic books work as a medium, and how he went about killing a villain when he was first given the chance. This presentation is equal parts hilarious, insightful and entertaining.

If you like comics you must watch this.

Batman, Inc. – Gotham Crooks Weep.

The most pressing comics-issue on my mind as of late has been What’re they going to do with Bruce Wayne when he returns? Fortunately, my fears that Grayson would have to return to his gig as Nightwing have been assuaged. Apparently, Bruce isn’t going to reclaim the cowl for himself, but share it with his former ward.

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This October, Thor Takes It To The Fuggin’ Ultimate

I love me some Thor. Who the fuck doesn’t? Sexy jacked dude with a giant (phallus) hammer named Mjolnir. I also love me some Jonathan Hickman. Hickman, who is currently making the Fantastic Four both cool and brilliant, and whose S.H.I.L.E.D somehow features Galactus, a resurrected Leonardo Da Vinci, and insight into the power of ideas in sculpting humankind, is fucking brilliant.

This October? We’re getting Jonathan Hickman writing Ultimate Thor. Fuck to the yes.

Comics Alliance:

“It’s patented Hickman madness,” said editor Mark Paniccia. “Nazis. Frost giants. World World II planes crashing into Asgard. It’s going to be amazing.”

A Thor arc involving Nazis and fucking frost giants? We’re not worthy, but god dammit I’ll take it.

Hit the jump for some sexy concept art.

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Images & Words – Amazing Spider-Man #638

[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]

Spoilers Ahead. Forreal.

Sometime ago, Marvel unleashed an event on the Spider-Man universe called One More Day. This story essentially undid years and years of continuity and character development; in exchange for Aunt May’s life, Peter Parker and Mary Jane agree to allow Mephisto to retcon their lives any way he sees fit. Of course, he makes it so that they were never married.

Fugging hogwash.

For the most part, I feel that rewriting character history is a dangerous endeavor. By saying This and that and the other thing never happened, a writer is basically tossing out the stories that fans have spent years reading. The characters don’t really develop and readers can pretty much count on future tales coming to similar conclusions.

I’m going to pause for a second, to add some counterbalance to my tirade. I’m not opposed to reboots or reimaginings of all sorts. In fact, I think that harnessing fresh perspectives to relaunch franchises can lead to products that are better than the originals (see: Battlestar Galactica, The Dark Knight, etc.). But what I can’t stomach is the constant rehashing of tried-and-true formulas.

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Variant Covers: Peter Parker Is Uh, Cool? Sort of Lame, Right?

Amazing Spider-Man #638
Alright, fuck every other comic that is coming out this week, I want to talk about Peter Parker. This week, the Spider-Man event One Moment In Time is kicking off. The event is in response to the other Spidey event that took place in 2007. That shiz was called Brand New Day. In this wonderful arc, Spider-Man was faced with a choice presented by Mephisto. Mephisto was all like, “Yo, I can save your dying Aunt May. But in return, you will never have married Mary Jane.”

Somehow, and for some reason, Peter Parker decided that this was a solid deal. What a dumb bastard. He chose his rickety old fucking Aunt May, over his gorgeous, accepting supermodel wife? This shit has irked me for some time now. Dude Pete, she ain’t even your Mom, yo. I know, I know, same thing, close enough, blah blah blah. So poof! With a wink and a nod, and probably some magical smoke that makes people disappear and stuff, Mary Jane and Peter Parker were never married.

Somehow.

Why’d it happen?

Well, it happened because Mephisto wanted Parker’s love. Or something. But we know why it really happened: because Marvel had no idea what the fuck to do with Peter Parker anymore. Parker was the character that apparently everybody related to growing up. I didn’t, I was a total X-Men dude. I was more comfortable running around with a pack of mutants, watching Wolverine gut dudes and totally talk smack to Scotty Summers and secretly hitting on Jean Grey.

[As a brief aside, did you ever consider Wolverine’s enhanced senses? Like, what’d they be like in the bedroom? I imagine sniffing a pair of panties with his leet skills is either the greatest thing ever, or he passes out and goes semi-catatonic.]

But anyways, people related to him. Why? Because he was dorky, and disaffected. Because he didn’t fit in, and he had typical teenage angst, and he had a rough go of things. His parents were dead, he kept waking up with webbing in his pants thinking about watching Mary Jane cheerleading at the pep rally.

Peter Parker married to Mary Jane?

That shit changes everything! Parker wasn’t angsty anymore, he wasn’t unfulfilled. He was a middle-class teacher, married to a gorgeous supermodel who accepted him for all his quirks and the fact that he dresses up in tights and fights giant reptiles. Acceptance. Evolution. Before Brand New Day, Parker wasn’t the character that people had grown up to love, who was eminently relatable. He was normal. And apparently that was boring enough, and scary enough, and far enough away from his “roots” as Joe Quesada put it, that they had to use one of the most contrived storyline mechanics I can recall to pull it off.

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