#February2010
Monday Morning Commute: I’m Fucking Insane for Jelly Beans

I’m fucking insane for jelly beans. What a great time of years, when I can just go up to a register at my local Target-Greens, Rite-Mart, or CVS and buy bags of raw sugar. Little round balls of teeth-rotting goodness. And they’re mad cheap, too. The jelly bean may be the candy that was designed with me in mind. Bless you Jesus Christ for being crucified, because the jelly beans which logically come from the season which celebrates your self-rez. Kudos and jelly beans to you!
Monday Morning Commute. Every Monday I’m going to detail the various things I’m either currently or will be watching, reading, playing, and listening to in the next seven days. It’s Monday. You’ve got a long week of school, work, or compulsive masturbation to get through. Tell me the arts that you’re indulging in, to stave off suicide.
This Is The Child Molester Who Programs For Omega Level

Pepsibones and I handle the writing and production of slop for Omega Level. But both of us being incapable of doing anything more than producing empty sentences and similes involving bodily functions, we’ve relied on a good friend to do all the programming and graphical production for the site.
After growing an impressive beard over the winter that likened him to the Italian equivalent of Osama Bin Laden, he constructed this masterpiece on his face over the weekend. It was too tremendous to not save for posterity’s sake.
Don’t let his soft smile trick you, he’s just trying to lull your defenses. There’s a caged animal within, looking to kidnap your children and befoul your Mom.

I cajoled him into throwing his modesty away and striking a thunderous pose, that likes of which displays the numerous rippling muscles he will use to scale your house, throw your mother (or father depending on his whims that night) over his shoulder, and much like King Kong, run away into the night to commit treachery upon your friendship.
Wake Up! Breakfast of Champions
Rise and shine, babies, it’s Saturday — the greatest day of the goddamn week! For some, Saturday means lounging around watching cartoons all morning. For others, this day is all about nursing a hangover from the night before. And for some particularly sad bastards, it means carting the kids around to soccer games or karate practice, praying for a minor traffic accident to liven things up.
But no matter what you plan for Saturday, it should always begin with a nutritious breakfast. I understand that during the week, most people (myself included) don’t have the time to eat a decent morning meal. But on the weekends, there’s really no excuse to not put some good fuel into the `ole gut-tank.
Waking up earlier than the surgeon general advises, I took the opportunity to pick up a dozen donuts. Rather than settling for a twelve-pack from Dunkin Donuts, I decided to take the slightly longer trek to Kane’s Donuts – a staple of the Boston area’s North Shore. This joint has an old-time coffee shop vibe, as though you were stopping into a friend’s house unannounced. It’s this type of atmosphere, the forfeiture of shiny counters & paint-by-numbers service in favor of authenticity & genuine personality, which will always keep me coming back to small-time diners and restaurants.
Nana Loves Donuts
I’m kicking off my Saturday with donuts in my gut and black coffee in my veins.
How’re you starting yours?
Friday Brew Review – Sofie

Today is the last day of February vacation. I know, I know — I shouldn’t complain, seeing as most jobs don’t include an occasional week-long break. Hell, these days, people are willing to take all sorts of jobs without benefits. With that being said, I’ve certainly enjoyed the time off and have wanted to make the most of these final vacation hours.
So what have I done to maximize my Friday-no-work time? Well, a major portion of this afternoon has been spent watching Raging Bull on YouTube and drinking beer.
But before we get to the beer, I feel the need to interject a bit of movie-rambling. After all, I’ve got a buzz on and OL is my zone to do so. To anyone out there that thinks The Departed is an amazing movie — you’re wrong. It’s pretty good. For a remake. But it’s not that spectacular. Yeah, I know, the use of the Boston accent is just wonderful (oh wait, no it isn’t…it’s fucking infuriating). But the bottom line is that it’s nothing more than a solid flick.
Another Red Band Kick-Ass Trailer; More Vulgarity, More Ultraviolence

I came across this second Kick-Ass Red Band Trailer today over at Slashfilm. It features more of the same as the previous Red Band, which is to say everything they can’t show in the rated ones but they should. Pepsibones and I are looking forward to this movie with a certain voraciousness, though I think his excitement far exceeds mine. Check out the trailer, and marvel at a teenybopper girl saying the word “cock”. It’s fratboy humor, which means I love it, but you may hate it.
Images & Words – Joe the Barbarian #2

[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]
Joe the Barbarian is a mindfuck. A powerful, yet sweet, mindfuck that leaves the reader gasping for breath and begging for more. I have no doubt that those readers who prefer the pump-and-dump style of narrative-coitus are going to dismiss Joe the Barbarian as just another example of Grant Morrison’s insanity.
Two issues in, I’m inclined to disagree. While starting a bit slow, Joe the Barbarian definitely feels as though it’s working towards something beautiful. Sure, it’s still incredibly unclear whether the protagonist is actually engaged in a cross-dimensional journey or if he’s just hallucinating/imagining the whole ordeal (I’d guess the latter), but that’s of little consequence at this point. All that matters is that Joe is genuinely invested in his quest, thereby capturing the readers’ attention.
Fuck, I’ve done it again — I’ve somehow started reviewing a comic book without even explaining its damn premise. Hell, maybe I should’ve taken a journalism course or some shit (see: poor excuse). Or, I could just delete these three sentences, but that would somehow seem dishonest.
Anyways, this second issue of Joe the Barbarian picks up right where the first left off, with Joe seeking refuge in his childhood action figures after a rough day. How rough was this day? Well, Joe was given the impression by his mom that their house might be on the brink of foreclosure, he was bullied by a pack of goons, and he spent a bit of time brooding about his dead father. Yikes. But with the help of the action figures in his attic, Joe is transported to an alternate reality. An alternate reality that, according to these toys, Joe must save from total destruction
Throughout the second issue, Joe (referred to as “The Dying Boy” by one especially ominous action figure) begins to make his journey out of the attic and towards the rest of the house. At times, the readers are given glimpses of what Joe is really doing – this either puts his epic journey in perspective or creates a greater contrast between the world as most see it and as it is seen by the hero. Again, this makes the reader ask some important questions; did Joe really break an anthropomorphic-rat-warrior named Chakk out of jail, or did he just let his pet rat Jack out of its cage? Is Lord Arc actually an outcast who once ruled a throne of light, or is Joe talking to a lightning storm? Is Joe a chosen warrior, or is he just a hypoglycemic teen in desperate need of a candy bar?
Even if definitive answers are never delivered, the expedition from which they arise is worthwhile in its own right. Although I’m going to give writer/creator Grant Morrison his fair share of credit (yes, sometimes his madness is genius and not the other way around), I think Joe the Barbarian is truly successful because of artist Sean Murphy. As mundane and realistic as Murphy depicts Joe’s house, it’s Narnia-ified counterpart is twice as fantastic. Two-page spreads of life-size action figures in the midst of war are perfectly executed, as are skyscapes with impossible airships and stunning crescent moons. I’m not familiar with Murphy’s body of work, but his performance on Joe the Barbarian is bound to etch a place in my (admittedly depleted) brain-bank.
And although it’s a damn shame I’m putting this individual last (and am too lazy to edit this post so that he’s first), a big-ups is due to colorist Dave Stewart. As well as Murphy illustrates rat warriors and giant flaming skulls that hang ethereally, Stewart pounds on their chests and brings them to life. So while the night skies of Joe’s fantasy world evoke a sense astonishment, it is the faded purple hue that enables them to breathe and live. I really think Stewart may be outdoing his best work with Joe the Barbarian.
Joe the Barbarian #2 is just wonderful. With the interplay between fantasy and reality (ala Wizard of Oz or Chronicle of Narnia), this is a book that can be enjoyed by all ages. It’s one of those rare finds, a story that’s innocent enough for children but mature enough to entertain adults.
You’d be a fool to not give this comic a shot.
THIS WEEK ON LOST: The Substitute

With thunder and lightning LOST returned this week to the epicness that we had all come to expect from the show. After a throwaway episode last week that left me at a frothing level of indignancy, this week threw so much at me that I have no idea how to begin to wrestle with the episode. Questions were answered, but as always, fourteen more took their place. Right after watchin’ this shit, I was like, fuck me, I have to make something intelligent out of the awesomeness that I just absorbed into my skull-plate. Because honestly, this is really all I wanted to say:
Fucking awesome!
Huh?
Jesus Christ!
Woah.
Huh?
What?
Holy fucking shit.
Tuesday is so far away.
That’s it man, that’s really it. The episode left my brain a gooey melange of confused awesomeness. But let’s try and think about this shit.

It seems obvious to start with the brain-shattering revelation that was why all of the peeps we have come to know are on the Island. Jacob beckoned them to the Island because he’s been searching for a substitute. Get it? Get the title of the Island? Yeah, me too. And from the looks of the scrawlings on the inside of whatever sort of damp, creepy cave the Man in Black brought Sawyer to, he’s been going at it for a long, long fucking time. As well, we finally get to see what the numbers were for. Sort of. MiB tells Sawyer that “Jacob had a thing for numbers”, which sort of explains why they’ve been fucking everywhere, but uh, not really. That said, I’m completely fine with that being the explanation behind them even if they don’t elaborate any further.
Of all the mysteries of the Island, this is one of the ones I give the least shit about.
It’s also worth noting that The Freckled Hussy wasn’t one of the ones that MiB mentioned being summoned to the Island. I know this because I turned to my friend Tommy and said fourteen times, “You sure she wasn’t shown? You sure? You sure? Totally sure? I should shut the fuck up? Okay, yeah…You sure?” Does Jacob’s heir have to be male? That seemed to be what we dragged out of it.
More of MiB’s revelation in a moment, but let’s diverge off this path. LOST style, hypertextual trains of thought!

Was there anything more frightening and entertaining than Dicky Alpert running out of the jungle like a fucking crackhead and accosting Sawyer? Seriously. Dude was losing his fucking mind, and it was awesome. For years the dude has been the composed, sexy, strong dude of righteous immortality. This episode? Dude was tweaking out! He scampers out of the bushes and is like, “C’mon man! We got to go! We-got-to-go! C’mon bro! Seriously, let’s fucking go! MiB kicked my ass and smeared my mascara! He is fucking legit!”
Just what the fuck is Richard? If he came from the Blackrock as a dude to potentially replace Jacob, he clearly wasn’t chosen. Was Jacob all managerial and like “Well, see here Richard. We don’t think you have the stuff to protect the Island for thousands of years, given your experience, but we’d like to take you on as a steward!”
And just like that, Crackhead Richard ran back off into the jungle, fleeing from another ass-whupping from MiB. And speaking of the MiB, how about that first-person perspective of Smokey doin’ his thang? Fucking epic! Epic with a capital EPIC! Yeah, that doesn’t make sense.

Hurley is fucking awesome. That’s all. I really enjoy seeing the inversion of his character from the I’m Totally Fucked Guy to Yo Man, Don’t Sweat It. For that matter, Hurley’s inversion is also in line with Locke’s dismissal of faith and miracle, and Jack’s belief in it.

Locke’s life on LA X fucking sucks, a lot. And as I’ve mentioned, he seems a broken, pathetic man, just like MiB mentions in the season premiere. I’m really fingering my brain over what they’re doing with LA X. My bro Pepsibones thinks it may be nothing more than a mundane drama, showing us the unremarkable lives they all would have led if they weren’t brought there. I’m not sold on that shit, but it does seem eerie that Locke’s Fiance Whose Name I Forget shreds Jack’s card, perhaps dismissing any sense of miracle and the destiny we’re expecting.
I ain’t sold though. These people are meant to be together, and they will. I just ain’t got no idea how.
Also, Ben as the school teacher? Fucking huh? I don’t know, man. Ben being a teacher makes me wonder if his ass was ever on the Island, and if not, just how long ago did the Island itself sink? WHAT THE FUCK IS GOING ON?! Is it Destiny, or mundanity?

The interweaving of destiny comes up throughout the episode, but there is no greater point than when MiB tells Sawyer that Jacob has played them all for the fools and brought them to the Island. MiB is all “Blah, blah, Jacob effected the course of your life to bring you here, as you were meant to be.” And he’s right, maybe. There were a zillion choices they could have made that would have pushed them off the course they were on. However, what MiB fails to mention is how he has been manipulating everyone just as he claims Jacob has, and maybe in even more nefarious ways.
Everything that led up to Jacob’s death has been executed by MiB. From getting Locke to leave the Island, to having Benjamin kill Locke, all of this was in an effort to gain the trust of Ben so they could put the ole stabby-stab into Jacob. Is there any free will going on, on the Island? Or have they all been chess pieces for both MiB and Jacob? Who the fuck knows.
I’m going to guess that Jacob is neither as benevolent as we may have thought, nor as cunning and selfish as MiB makes him out to be.

Either way, there seems to be an inherent necessity for balance on the Island, which MiB has disrupted. From the tilting of the scales to the eerie little fucker in the woods telling MiB, “You know the rules, you can’t kill him”, everything points towards MiB and Jacob being symbolic of the balance of Good and Evil in the world. Both are needed for the other to exist. Jacob and MiB’s conversation at the end of season five contrast the two of them, and now makes much more sense in light of the fact that Jacob summons them to the Island to replace him.
MiB: They come, fight, they destroy, they corrupt. It always ends the same.
Jacob: It only ends us, anything that happens before that, is just progress.
Jacob’s search for a replacement is centered around his notion in the potential for humanity. Despite being disappointed for what seems like hundreds, if not thousands, of years, Jacob considers the idea of a replacement for him to be plausible, if not inevitable. How long Jacob has been searching, or what his criteria is, or even further, if there was someone before Jacob? Who the fuck knows.
Wake Up!
Good morning! To all the dudes and babes that stumble onto the den of iniquity that is OL — welcome to Wednesday. For some, this means that this cycle of the forty-hour work-week is halfway finished. Hang in there. For others, Wednesday means the release of sweet, sweet paneled pages.
Me? I’m trying to enjoy February vacation. Unfortunately, I’ve risen before noon for the third day in a row. Damn my conditioning. Therefore, I’m pounding coffee like Bill Murray in Delirium (as seen above) and hoping something spectacular happens.
Now that you’ve woken up, what does Wednesday mean for you?
Leaked Footage of the New 2D Sonic Takes Me Back To Before I Was Old as Fuck

Sega is dropping Sonic 4 on our asses this year. It’s a whole bit of trippy. For starters, it’s going to be released episodically. And they’re calling it Sonic 4, despite the fact that since Sonic & Knuckles came out sixteen years ago…
…Wait a second, Sonic & Knuckles came out sixteen years ago? Holy fucking shit. That sucks. What the fuck is going on? 1994 was that long ago? Jesus Christ. It feels like just yesterday I was rubbing my boner confusedly on my bedroom floor while staring at Mileena’s tits in my Mortal Kombat II strategy guide.
And now? Now I’m doing the same fucking thing and I have nothing to show for it!
But yeah, since then, they’ve released a zillion games. From Sonic Adventure to Sonic And A Pack of Douchebags to Sonic The Werewolf Asshole, they’ve all missed the mark. So they’re stripping the game down to what we’ve only wanted for the past decade and a half. We want to run really fucking fast, through loops, in a 2D side-scroller.
And now we can.
Check out the video to either:
- Feel old as shit, or
- Be too young to appreciate it, and be like, what the fuck is a Sonic the Hedgehog?
Variant Covers: Daredevil’s Life Would Make Parker Kill Himself

[Variant Covers is a column every Tuesday that breaks down the various titles coming out that week in the world of blind assassins and zombies.]
Daredevil #505
Daredevil’s my favorite book dropping right now, and it has been for a while. It doesn’t have the sensational bullshit of everything that interconnects with Siege, or Dark Reign, or Dark Siege, or Reigning Blood or whatever the epic event of the moment is called. And no, it doesn’t even have Jennifer Garner, or Ben Affleck in it. So what the fuck, I know. It’s a title brimming with nothing! Not even a Deadpool appearance! But the shit is excellent, and you should be reading it. Matt fucking Murdock is straight-up running The Hand these days. And if they weren’t a bunch of bad-ass assassins before, they look even more ballin’ with devil horns affixed to their ninja masks of awesomeness these days.
But the real reason that I enjoy Daredevil so much is that it doesn’t resort to status-quo restorations every nine months. Shit has been swirling around the toilet for years now in the life of Matty. He’s gone from an outlaw, to on trial, to a prisoner, to watching his wife go insane. Maybe I should be glad that Daredevil doesn’t pump any insane numbers in the sales department, or they would be way more careful with the title. Even the appearances by H.A.M.M.E.R or Norman Osborn feel less forced, and more in sync with the actual universe.
Our boy Murdock takes to Japan this month to solidify his grasp on The Hand through one of their international branches. Though, I suppose calling Japan the international branch of a league of ninjas probably doesn’t make that much sense. I’m waiting for the whole trying to run a league of assassins thing to go south for the ole’ Devil. It seems like a magnificently shitty idea to think he can run a squad of undead ninja-guy-things, especially since he doesn’t have the heart of coal it requires. Emo Kid Peter Parker should check out Murdock’s life next time he thinks he has it rough, he’d be in the corner listening to Taking Back Sunday and cutting himself if he had to deal with half the bullshit Murdock did.
Other shit coming out in the Marvel Universe? Uhhh. There’s Deadpool: Merc With A Mouth, which is one of the seven-thousand Deadpool titles at the moment. Then there’s a new issue of Uncanny X-Men, the events of which I have no idea about, and cannot understand. They need a jumping on point for that title, because every time I try to buy an issue I feel like I walked into some bizarre world where nothing makes sense, Magneto is back from the dead again, and Emma Frost is a bad guy/good guy/bad guy/good guy for reasons unknown.

Zombies Of Mass Destruction #6
There’s a comic book called Zombies of Mass Destruction. Either you’re sold, or you’re not. I’m not, but I can imagine a lot of people do cartwheels over anything zombie. Are they played out, yet? I mean, are they even scary anymore? I wonder if when the eventual and unpreventable Zombie Apocalypse occurs, we’ll all be so blase about the walking dead, and that will be our undoing.
Oh it’s just a zombie.
And we’ll forget that the zombie is intent on eating our soul and munching on our brains, and that’s how they’ll take us down. Yes, the zombies will finish us off the same way everything else does in life; they will take advantage of our apathy. We’ll be trying to watch Monster Truckers Crush Skulls or something on Spike TV when they just walk into our houses as we stare at the idiot box and eat us.
I called it here first.

Green Lantern #51
Hey kids, are you like me? Are you reading Blackest Night, and trying to enjoy it? Well, let me suggest something to you then: buy all the bullshit tie-in titles! My biggest complaint with Blackest Night is that they’ve turned reading the fifteen Green Lantern titles into a necessity. I call hogwash on this bullshit. For example: I was talking to my friend Charlie about Blackest Night, and he was all, yeah, I can’t believe they killed off Kyle Rayner. And I was like, huh? When the fuck did this happen?
Oh, only in Green Lantern Magicorps Redux (Blackest Night Tie-In)! What the fuck is this bullshit? You mean I’m plunking down $4 for some fucking epic event, only to have deaths and shit thrown about in the tie-ins? This isn’t fucking Solovar, this is fucking Kyle Rayner! Motherfuckers.
So trust me, if you want to have any idea what’s going in only the biggest event in the DC Universe right now, you better pick up this week’s Green Lantern. Otherwise you’ll be like me, a confused asshole who lives in their parents’ basement. Don’t believe me? Check out the solicitation:
The most epic battle in BLACKEST NIGHT yet comes to a shocking conclusion as Hal Jordan makes the ultimate move to take on the Black Lantern Spectre.
So…the most epic battle of Blackest Night takes place…in Green Lantern? If you say so! You fucks.
There’s also a bunch of other BLACKEST NIGHT tie-ins you totally should/should not pick up depending on your principals. There’s Blackest Night: Flash, where Barry Allen probably dies, and Green Lantern Corps, which is sure to have some epic event that unfolds, like maybe Kyle Rayner fuses with Lex Luthor and they both ride Metallo out of Earth Prime or some shit. Just to make you feel fucked if you only read the main Blackest Night title.



