#December2011

Monday Morning Commute: Stay on Target

After I punch out on December 23rd, I’m going to have the luxury of not returning to work for ten days. By my calculations, that’s nearly a week and a half. Do you know many comics will be read, movies watched, beers imbibed, and high-fives delivered in that time? Certainly enough to keep my face smile-plastered and spirit sky-bound.

Needless to say, I’m champing at the bit.

But alas, I must first survive a treacherous two-week stint of work. Additionally, these workweeks happen to fall on the end of the month, which is always the most hectic time around the `ole office. Tack on the various projects I’ve undertaken, and I’m bound to be one busy little prole-monkey rummaging about the engine room of Spaceship Earth’s compartment of Consumer-Cultures.

Fortunately, the Omnidimensional Creator has been kind enough to allow me to guide you through the MONDAY MORNING COMMUTE! Join me as I display the various bits of art and mind-rot I’ll be using to prevent a total mental meltdown. After you feast your eyes on what I’ll be entertaining myself with, hit up the comments section and share your ideas of a fun time.

Okay, hide the women and children — it’s time to summon the Entertainment Daemons!

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Monday Morning Commute: For the Rest of Us!

Welcome once again, m’babies, to the Monday Morning Commute. Please ignore the fact that this feature is posted during the late-night timeslot. Also, there’s no need for you to know that my commute to work takes no more than fifteen minutes on a bad day. Instead, join me in celebrating the entertaining bits of existence that are going to get me through the week.

And try to remember what you learned on the playground – I’ll show you mine if you show me yours. After peeping my naughty bits, hit up the comments and show me yours. After all, it’s only fair.

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OCTOBERFEAST – King Diamond

King Diamond

So here it is, the Halloween Episode of OCTOBERFEAST. Rather than diving right into the concluding entry, I just want to wish everyone a Happy Halloween. For real — this holiday is such a blast and I really feel bad for anyone who can’t enjoy it. I just spent the afternoon at the Bruins/Oilers game with Caffeine Powered & our cousin, and I saw children and adults alike dressed in various costumes. Behind a Skrull mask, I realized that it really takes a true asshole to be against a day dedicated to dressing up, eating candy, and celebrating. While watching the Bruins emerge victorious was enjoyable, the real entertainment came from spotting Hulk Hogan, Darth Vader, the Super Mario Brothers and other heroes  in the crowd.

The occult, theatrics, and potentially subversive messages have weaved their way into the fabric of rock & roll. Heavy music seems to be one of the few venues in which it is not only accepted but expected that Satan is embraced in one form or another. Unfortunately, most of the well-known bearers of rock’s horror-torch are more style than substance.

KISS? Don’t even get me started on these guys. Any time that someone suggests that they even qualify as heavy metal, I get a stomach cramp and have to use the restroom. Knights In Satan’s Service? Heaven’s on Fire? Bah! Don’t make me puke. This guys are nothing more than merchandisers who use shitty music to push the product.

Alice Cooper? Marilyn Manson? Sorry, but since I’m not thirteen years old I’m not falling for your tricks. Yes, Alice, I know that singing about school being out forever is a great way to start summer vacation. But as far as being a dark shepherd of the underworld…something tells me that  he lacks credibility. And as far as Cooper’s successor/rival, Marilyn Manson — I just don’t buy it.

Amidst a slew of half-baked, barely worthwhile horror-themed rockers stands one man and his music. Yes, he certainly dabbles in supernatural themes such as witchcraft, ghosts, Satan, hauntings, religious corruption, madness, and the like. But this performer has always surrounded himself with excellent personnel, thereby backing up his ghoulish persona with legitimately rocking tunes. Really, if you consider yourself a fan of heavy metal you should probably own at least one of his records.

No, I’m not talking about Ozzy — the man of the hour is the one and only KING DIAMOND.

King Diamond is a goddamn force of nature. Shrouded by spooky black & white makeup, Diamond has commanded the stage for both his own eponymous band and its predecessor, Mercyful Fate. With these outfits, King Diamond takes the listener through twisting tales of depravity and terror, often requiring an entire album to do so. Take, for instance, King Diamond’s The Eye, which tells an interwoven tale of witch-hunts and sexual assault committed by Church officials. Thematically, there is no question that King Diamond is a champion of OCTOBERFEAST.

More importantly, though, is King Diamond’s vocal proficiency. The King assumes various roles throughout his songs, sometimes speaking as a creepy grandma, an executioner, a priest, or even a child. Although a master of this sort of performance-vocal, King Diamond also belts out a falsetto wail of which banshees can only dream. King Diamond has set a standard of screeching to metal that modern bands can only match with extensive assistance from Pro-Tools.

King Diamond’s influence on the world of heavy metal is undeniable. Anyone that believes King Diamond to be unappreciated within the metal world just needs to remember the showcase he was  given on 2005’s Roadrunner United. Injecting technicality into good songwriting and combining it with a thick slice of macabre, King Diamond has created an amazing body of work. I strongly suggest that you check out Abigail, “Them” and The Eye.

To rock out — watch the first video, a live rendition of the title track Abigail.

To be creeped out — watch the second video, King Diamond explaining a portion of The Puppet Master.