With an insatiable desire to depict worlds in disarray, Roland Emmerich has spent the better part of three decades pumping out grandiose blockbusters bedecked in social destruction with a flair for the skeptical. That isn’t to say there is a whole lot of method behind the madness; Emmerich’s love for blowing stuff up–be it a sturdy building or established fact–is just too primary, too outrageous. And he’s willing to draw on dicey pasts (The Patriot, Anonymous) and controversial presents (The Day After Tomorrow, 2012) to lay waste to the good earth of cinema, scorching anything that resembles sensible storytelling or true scientific inquiry in his movies’ cataclysmic march to commercial success. And leader of this bombastic parade is Independence Day, Emmerich’s most entertaining film to date.
