Archive for the ‘Images & Words’ Category

Images & Words – THB: Comics from Mars #2

Friday, September 3rd, 2010

[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]

I’ve spent the last ten minutes gazing into this goddamn word processor. It’s white and bright and winning this staring contest with ease. Fugger! It’s not fair – he’s got pixels and electricity and all I’ve got is the soft gelatin of these dull cow eyes. My retinas will burn out before I think of a clever way to convey my message, so I might as well just lay it out there.

Paul Pope is a master comics creator. And he’s grossly underappreciated.

Those curious about Pope should refer to THB: Comics from Mars #2.

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Images & Words – Batman #702

Thursday, August 26th, 2010

[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]

Spoilers Ahead. Forreal.

3. 2. 1. Blast off!

Once I’ve escaped Earth’s gravitational pull, I fire up the hyperdrive. I shoot past the moon, past Neptune, past the limits of our damn solar system. I disengage the primary thrusters and find myself in the middle an interstellar storm. I careen past stray panels and pixilated nuclear explosions and bits of what was once a moon. I could’ve sworn that I had set the proper coordinates. But my eyes are telling me different.

So are my onboard monitors. I watch the Galactic Positioning System power down, turning all of the maps and sequencers and frames of reference into nothing more than an abysmal black screen. A moment later, the GPS reboots. When the screen settles, it tells me that myth has become fact.

[You have reached Omega Level]

///

This week’s comic of choice is Batman #702.

I won’t lie; the decision to feature this book might be yet another testament to my dwindling sanity.

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Images & Words – Phoenix Without Ashes #1

Thursday, August 19th, 2010
[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]

Spoilers Ahead. Forreal.

A couple of days ago, my brother predicted that Harlan Ellison’s Phoenix Without Ashes would be a comic book worth picking up. The Omega Elder also doubted that our local comics shop would carry the title.

Guess what, broseph!? You’re wrong and right – I’ve got a copy of this sonnophagunn in my hands right now! Sweet, sweet funny-mag success! Victory!

Alright, I have to come clean – I’ve never actually sat down and read any Harlan Ellison before today. With that being said, I’ve always enjoyed everything I’ve heard about him. I distinctly remember reading an article about Ellison in Wizard Magazine when I was no more than eleven years old. My prepubescent mind was bemused by the legendary tale of the writer’s single-day employment at Disney; he was fired after a suit overheard him joking about making a Disney-themed porno. Ah, what a yarn! How wonderfully uncouth!

And the best part of that story? It’s fuggin’ true.

With that being said, I’ve found Harlan Ellison intriguing for reasons other than his filthy mind. A number of my personal heroes cite the writer as being a profound influence, Warren Ellis and Patton Oswalt being amongst them. So while I have never previously read any of the man’s work, I have looked at him as a respected figure of the figures I respect.

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Images & Words – Dillon & Fraction

Thursday, August 12th, 2010

[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]

Spoilers Ahead. Forreal.

It isn’t always easy to choose a best comic of the week. Some weeks, none of the funny-mags I’ve picked up have any sort of Wow! to them. Other times, I’ve got a stack full of quality books and hate having to choose just one to feature.

This week, I’ve decided to make the entire process a bit easier. The name of this column, Images & Words, is named after the two separate media that combine to make comics. Oh, well, it’s actually named after a Dream Theater album. But the pun stands. So please just roll with it. Anyways, comics are composed of illustrations and text. As such, this week I am going to highlight both the artist and writer with whom I was most taken.

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Images & Words – S.H.I.E.L.D. #3

Thursday, August 5th, 2010

[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]

Spoilers Ahead. Forreal.

I believe in ideas.

I’m not religious. I don’t belong to a political party. And I’m generally weary of aligning myself with institutions. But what I am unabashedly interested in is the formation, exploration, and discussion of ideas. Anything that has or can or will be done has come about by the processing of thought. Mental exertion. Trying to conjure up something that has yet to be plucked out of the nebulous pool that is the collective unconscious.

Human beings are squishy blots of flesh that exchange fluids with the world and rarely last one hundred years. They are fragile and gross and quite often unhinged mentally. And yet, within the few protective millimeters of skull is the capacity for goddamn anything.

Penicillin. Films. Sexual fetishism. Hospitals. Education. Genetic manipulation. Geoengineering. A hilarious anecdote about a dead relative. Cloned organs. Terraforming. Dinner reservations for two, no wait, three. Interstellar travel.

It’s all in there, in the goddamn ideaspace. The realized and unrealized.  The real and the fictional and the grey area where the two meet for conjugal visits.

S.H.I.E.L.D. is a comic book about these conjugal visits.

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Images & Words – Revolver

Thursday, July 29th, 2010

[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]

Life can be humdrum. Boring to tears. Drab. For most of us, daily living is comprised of compromises and lackluster recesses of escapism. Existence can often seem like a set of meaningless tasks, more of a bogus journey than any sort of excellent adventure.

Is buying a couch really that enthralling?

Just the other day, a friend of mine was talking to me about the mind-numbing and uninspiring nature of modern life. Then, with earnestness, he started to describe just how great it would be to live during the End Times. He seemed keen on a zombie apocalypse, but would settle for any sort of societal collapse. Liberation is to be found in survivalism, he told me.

I disagreed. I had just finished reading The Stand. And not unlike Lord of the Flies, Stephen King’s epic taught me that civilization can be pretty rad. Overbearing hierarchies and rigid systems of control? Complete chaos? No. But having some sort of order is a good idea. Can a shade of gray exist in which personal empowerment is actualized?

This very struggle is the premise of Matt Kindt’s graphic novel Revolver.

Sam, the hero of this tale, is dissatisfied. His girlfriend is superficial beyond redemption. His job sucks. His boss makes his life miserable. Nothing is going his way.

But then he goes to sleep at 11:11PM and when he wakes up, he’s in the midst of an apocalypse. Terrorist attacks have decimated cities, plagues are spreading across the globe, natural disasters are underway – real wrath of God type stuff! Cities have erupted into bedlam and even instituting martial law has done little to quell the disorder. However, with death being an imminent possibility, Sam learns to appreciate his life and use it to the fullest.

Unfortunately, he once again falls asleep at 11:11PM; upon waking this time, he has been transported back to his mundane life. Of course, inner-conflict ensues. This “normal” life is much safer than the alternate reality Sam just experienced, as dirty-bombs and bird diseases are left out of the equation. With that being said, there’s also no sense of purpose here. Sam doesn’t understand why he should care about dinner with his girlfriend’s parents or appeasing his snobby boss or investing himself in any of the other truly inconsequential activities we fill our lives with.

And so Revolver takes the reader through alternating days of two different realities; one overly tedious and lacking passion, one which is brimming with vigor but threatening to implode at any moment. Kindt does a superb job of balancing the realities, highlighting the perks of both as well as their inherent defects. Moreover, the story really comes together when it’s revealed that the realities aren’t quite as separate as originally thought.

Fugg, I feel like I haven’t included enough titillating plot elements. A list: murder, shoot-outs, secret newspapers, terrorist masterminds, hideouts, sex, satellite-guided missiles, and swear-infested diatribes. Other stuff, too.

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Images & Words – Amazing Spider-Man #638

Thursday, July 22nd, 2010

[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]

Spoilers Ahead. Forreal.

Sometime ago, Marvel unleashed an event on the Spider-Man universe called One More Day. This story essentially undid years and years of continuity and character development; in exchange for Aunt May’s life, Peter Parker and Mary Jane agree to allow Mephisto to retcon their lives any way he sees fit. Of course, he makes it so that they were never married.

Fugging hogwash.

For the most part, I feel that rewriting character history is a dangerous endeavor. By saying This and that and the other thing never happened, a writer is basically tossing out the stories that fans have spent years reading. The characters don’t really develop and readers can pretty much count on future tales coming to similar conclusions.

I’m going to pause for a second, to add some counterbalance to my tirade. I’m not opposed to reboots or reimaginings of all sorts. In fact, I think that harnessing fresh perspectives to relaunch franchises can lead to products that are better than the originals (see: Battlestar Galactica, The Dark Knight, etc.). But what I can’t stomach is the constant rehashing of tried-and-true formulas.

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Images & Words – The Invincible Iron Man #28

Thursday, July 15th, 2010


[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]

I am a Web-Centurion, presiding over the dominion of OL. My assignment is to patrol the rusty, corroding gates of this kingdom. Not only am I responsible for determining who may or may not enter the realm, but I can also prevent subjects from leaving.

Today, a wild-eyed elder tried to make a speedy exit. I hopped off of my turbo-bike and delivered a swift boot to his midsection. When he finally regained his faculties, I asked him who he was. What his trade was. Why he was trying to leave the lands of Caffeinated Wonder-Bliss.

He explained that he was a narrative-alchemist. That he had come up with a powerful elixir, a curative concoction that could help countless folk. I didn’t want to believe him, as I generally distrust old people. But the way he described his new potion, the earnestness with which he spoke, made me less violent. Strangely, I found his message endearing.

I let him pass. Even though I should have killed him. I sincerely hope his formula for a “comick” sees the light of day.

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Images & Words – Scarlet #1

Friday, July 9th, 2010


[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]

Floating somewhere past Neptune, I decided to start reading. I had a fresh stack of Picto-Literature, given to me by my lover the day before departure. She knew that I had a soft spot for the paneled page, tales of hyperbole accompanied by a glut of exposition. Such insights into my interests were why I had accepted her as my lover in the first place.

I joke. The fact that such a babe would receive a Thought-Scientist, especially one as scrappy as myself, is a damn miracle. And these days, I’m no longer a disbeliever of miracles.

Rummaging through the cartoon-books, I was impressed by the titles at hand. My lover had collected some of the most critically acclaimed titles, the classics I grew up reading as a young lad. Grant Morrison’s Batman and Robin. iZombie by Roberson and Allred. A rerelease of Casanova, the groundbreaking title by Fraction/Ba/Moon. Ah, such wondrous creations were crafted before the Collapse!

Staring out the bay window, I knew that I should feel some sort of immense gratitude. For the splendor of the universe. And the opportunity to explore it. But with a handful of pulp – yellowed, slightly battered paper narratives – I couldn’t maintain the gaze.

What’s more impressive – the constantly unfurling, eternal and infinite nature or the ability of small, squishy flesh creatures to represent it?

Sifting through the works, I found the first issue of Scarlet! What a gem! Brian Michael Bendis and Alex Maleev, the writer-artist duo known for reinvigorating Marvel’s Matthew Murdock (known at the time as Daredevil) had come together for this creator-owned property. Truthfully, I had never read it before. Hell, this made the fact that I was shipping out to a six-month work assignment a bit more bearable.

Before reading, I flipped through the pages to admire the artwork. I know, I know, according to the comix guides of the Aughts, this is a big no-no. But I like to give myself a sneak preview, titillating myself in the same way as experienced through a movie trailer. But this time I found myself slowing down, breathing in as much of every page as possible, words aside.

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Images & Words – Northlanders #29

Thursday, July 1st, 2010

[images & words is the comic book pick-of-the-week at OL. equal parts review and diatribe, the post highlights the most memorable/infuriating/entertaining book released that wednesday]

Karmic uppercuts be cemented in truth, Pepsibones the great has been banished from his own column. He saw fit to render me helpless and hijack Variant Covers on Tuesday, and for that I have returned the favor by supplanting him in this hypertextual mayhem. One column theft begets another!

Brian Wood’s Northlanders can probably sell you buying the comic on the concept of vikings, violence, and vulgarity alone. Furthermore, the fact that Brian Wood is writing the rag is motivation enough for me to read it. Wood’s DMZ is one of the densest, smartest comic books I’m digging on these days.

So!

The fact that Wood brings his intelligent, witty, and darkly humorous notions of power and prejudice amongst other things to the world of swords and vikings? Fuck you if you’re not reading this comic book.

Which in fact, means, fuck me up until today.

Northlanders #29 is a stand-alone issue, which makes it perfect for douchebags like me. Having not read the title, but wanting to get into it, I’ve been holding off for a jumping on point! Splash, motherfuckers! Jump on in, the water is warm, with invisible pools of urine slowly floating your way. Shazam! Muwahaha. But no seriously, grab this issue and welcome to the world of Northlanders. You don’t need any pre-existing knowledge of the world.

The issue is narrated by the character Dag. Now, I don’t know Dag. And I’m pretty sure he’s a new character, but I could be wrong. But within a few pages, Wood has you firmly entrenched in Dag’s plight. It’s the sign of a dope writer that can get you invested in a character in a short amount of time. Anyone can generate sloppy issue after sloppy issue and facilitate some sort of illusion of depth. But Wood’s Dag is so god damn real from the beginning that you’re with the dude.

Most of that righteous bullshit is achieved through D-Boy’s internal monologue, which reads like some straight up sexy and darkly humorous prose:

My name is Dag. Just Dag. Who my kin are is of little use or influence out here. What makes a man on the sea road is bringing the cargo in on time, and not fucking over the hired help.

Right now I’m losing on both counts.

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